Wednesday, June 27, 2012

This is Just to Say

A. Bibliography


Sidman, Joyce. This is Just to Say: Poems of Apology and Forgiveness. Ill. by Pamela Zagarenski. New York: Houghton Mifflin.  2007.  ISBN 9780618616800

B.  Plot Summary

       The book, This is Just to Say, written by a sixth grade class is based on a poem by William Carlos, “This is Just to Say”.  Mrs. Merz, a sixth grade teacher, has commissioned her class to write apology poetry to someone they need to apologize to.  Editor Anthony K, thought it was a good idea to have the people they wrote apologies to write apology letters back to his fellow classmates.  This turned out to be a wonderful idea as it added great meaning to the apology poems in part one.  The book is so well written that it is believable the poems are really written by a class and not one that came from the imagination of Sidman.

C. Critical Analysis

    The poems in this book are funny, sad, and sincere.  In the apology poems, readers can feel how truly sorry the writers are.  While some of the poems are humorous, others pull at the heart strings.  I must admit, I giggled while reading "Brownies-Oops!" because I remember a scene quite like this in my own home, but while reading "It was Quiet", I felt a heavy heart and a deep sadness for the child writing about a loss of his furry friend.  The line "I wanted to stay quiet with the feel of your fur" created a knot in my throat as I read.  
    Sidman uses similes throughout her poems.  In the poem, "What Was I Thinking?" she paints a vivid picture of Mai Lee slinking out of the office by saying, "I slink out like a whipped dog".  In the poem "Sparkling Deer", the line "and your little snow scene drew me like a magnet," helps the reader understand how attracted Mrs. Merz was to the little glass deer.  Each poem shows the personality of the child writing the poem. Some of the different styles of writing consist of haiku, couplet, concrete and even pantoum.  
    The illustrations in the book were creatively crafted by Pamela Zagarenski.  My favorite part of the illustrations was when Zagarenski incorporated what seemed to be dictionary definitions of the word apology into some of the illustrations for the apology part of the book.  This was very clever and it made the illustrations look and feel as if the students themselves actually created their own illustrations or as it says in the Introduction, the art teacher and Bao Vang did the illustrations.  I also think it keeps the poems authentic when they appear to have been drawn on notebook paper or graph paper. 
     This book of apology and response poetry was a very fun read and what made it fun was seeing the responses from the apologies.  It was quite enjoyable flipping back and forth between the apology and responses in part 2.  The response that made me laugh out loud was "Roses are Red".  I wasn't expecting this type of response, but it made the poetry in the book seem believable because even though we apologize, it doesn't mean that all is forgiven.  

D.  Reviews

Kirkus Review says the following about This is Just to Say:
Providing a surprisingly effective story arc, this series of poems was inspired by William Carlos Williams’s famous poem of the same title regarding a theft of plums. Anthony, one of the students in Mrs. Merz’s class, becomes the editor because it was his idea to make the poems into a book and to include any responses they get to their apologies. There’s a range of topics and ability in the poems, from the “Roses are red / Violets are blue / I’m still really / pissed off at you” in the response section to the difficult form of a pantoum in “Spelling Bomb.” A collage-like look to the illustrations captures the child-like quality in sprightly compositions, but the conceit that these are the artwork of one of the students doesn’t quite ring true. At one point, Anthony claims to have edited for language, but other poems have some words that are realistically uncensored. Despite a slight uneven quality or perhaps because of it, the whole is far more captivating than expected. Packed with the intensity of everyday pain and sorrow, kids and adults exchange the words that convey grief, delight, love and acceptance of themselves and others. (Poetry. 8-12)

E.  Awards

Claudia Lewis Poetry Award
Cybils Poetry Award
Lee Bennett Hopkins Poetry Award Honor Book
IRA Teacher's Choice Book
Texas Bluebonnet Award Nomination
North Carolina Junior Book Nomination
New York Public Library's "100 Titles for Reading
and Sharing"
School Library Journal Best Book of the Year
Book Links Lasting Connection Book  
F.  Connections

      This book provides the perfect opportunity for students to get involved with writing their own apology poetry.  The teacher can first read aloud the book.  Once the book has been read aloud, the teacher can model the writing process for an apology poem by having the class write an apology poem together.  Students will start brainstorming ideas for their own apology poem.  Students will be guided through the writing process.  Just like in the book, the students can seek out responses to their apology poems as well.

Additional Lesson Plan ideas:


G. Additional Books by Sidman
AISN:  B006O3LR2C
ISBN:  0547152280
ISBN:  0547014945

Tuesday, June 26, 2012

Monster Museum





A.  Bibliography

Singer, Marilyn.  Monster Museum. Ill. by Gris Grimly. New York:  Hyperion Books for Children. 2001.  ISBN:  078680520

B. Plot Summary

Monster Museum contains 21 poems.  The book is a single poet compilation.  Excluding the first and last poem, each poem in between focuses on a monster that is on display in the Monster Museum.  The first poem of the book is a welcome poem to children visiting the museum.  It introduces what they will see on their tour and what the reader will find as they read.  The last poem is a farewell to the children and to the reader.  A unique portion of this book is that it contains a "Glos-Scary".  The "Glos-Scary" offers a description of each monster on display and also gives a picture of the monster.

C.  Critical Analysis


     The strange exhibits in Monster Museum offer readers a field trip through a place unknown without ever leaving their reading space.  Readers will laugh and be frightened when reading Singer's crazy poems. The first poem allows readers to understand children are there for a tour, but it isn’t until the farewell pages that we see the students getting on a school bus.  Through the illustrations, we also see each child has chosen a monster as a buddy.  I think is an important aspect to add simply because we do not want smaller children to be frightened by a book like this, but rather enjoy its obscurity and humor.
      Each poem offers bits of information about each monster on display and puts the information and funny facts together in a rhythmic arrangement.  Not every poem is the same in its rhythm, but every poem is engaging in its patterns.  These poems are fun to read aloud, but are best when the reader can view the illustrations of the book too.  The illustrations add a great deal of character and detail to the poems.
     Gris Grimly did the illustrations in this monsterous book of poetry.  The illustrations go right along with each poem in that they show the monster on display in a way that captures what is written in the poem.  One aspect I love about the illustrations is the they allow the reader insight into the thoughts of the children as they view each exhibit.  This is extremely clear when reading the poem titled, “The Zombie”.  The students on the field trip are actually pictured dancing right along with the poem.  Another favorite illustration that shows the students interacting with the “exhibits” or poems, is the illustration for “Main-eating Plants”.  One of the students is pictured running from the “man-eating plants” with a look of shear horror on her face!  Even though the students are not addressed in any of the poems, we definitely feel their presence in the book simply because of the illustrations.  All of the illustrations are done with watercolor and are brightly detailed. 
      These poems would appeal to readers of all ages.  I know many would say that these poems would be appropriate for Halloween, but really who doesn’t love a good monster story.  I know Monster Museum is a book of poems that students will come back to over and over again!  The poems are fun to read and easy to love! 


D.  Review Excerpt


Publisher's Weekly says, "To the rollicking beat of Singer's (The Circus Lunicus) absurd poems, children trail an undead docent through a "monster museum" where the exhibits are wax replicas... or are they? The visitors see Frankenstein's creation ("I'm called Frankenstein,/ but it's his name, not mine"), the Blob and "Those mixed-up beasts from ancient Greece: the chimera, the cockatrice." Grimly, a Charles Addams devotee, packs the spreads with frantic activity that rewards sharp eyes; on the tour, sneaky things ambush museum-goers. Among the season's best creature features. Ages 5-9."

E. Connections


In the poem titled “The Cockatrice and Co.”, I loved the last two lines,
     “Keep ‘em straight, and you’re a hero.
      Hesitate, and, zap, you’re a zero.”
I thought this would be a fun poem to integrate into math when studying multiplication properties in 3rd grade!  It is important for the students to understand that anything multiplied by zero is zero.  This would be a fun way to include literature into becoming zero.  The students could create a zero monster to help them remember the zero rule for multiplying. 


Author's website:  http://marilynsinger.net/
Illustrator's website:  http://www.madcreator.com/


F.  Other book by Marilyn Singer
ISBN: 0786818778
ISBN:  0525479015
ISBN: 0547330049


Friday, June 22, 2012

Swamp Angel


A.  Bibliography


Isaacs, Anne. 1994. Swamp angel. Ill. by Paul O. Zelinsky. New York, NY: The Puffin Group.      ISBN:  0525452710 

B.  Plot Summary
 
     Angelica Longrider was born on August 1, 1815 and she was “scarcely taller than her mother and couldn’t climb a tree without help.”  Angelica became known as Swamp Angel when she was 12 because she aided in the rescue of a wagon train that "got mired in Dejection Swamp".  Swamp Angel was always looking for ways to help people and one summer she came to the rescue of the people of Tennessee when a huge bear named Thundering Tarnation was harassing them.  Despite the fact that she was a women, she overcame the “hoots and taunts” by many men who signed-up to hunt and fight the bear.  Swamp Angel killed the huge bear to save the people of Tennessee.  This tall tale is one that presents a strong, independent women capable of anything she set her mind to.

C. Critical Analysis

      Swamp Angel is a giant, pioneer woman.  She could be compared to the likeness of Paul Bunyan.  Anne Isaacs crafted a beautiful main character that displays strength, wit and humanity.  The first time the reader hears Swamp Angel speak is when she responds to a gentleman taunting her about being at home quilting instead of signing-up to fight a bear. She responds to the gentlemen by saying, “Quiltin’ is men’s work!”  This shows that she has spunk and she isn't going to be bullied by anyone.  Swamp Angel’s conflict occurs when she meets Thundering Tarnation.  Swamp Angel shows her tenacity when she says to Tarnation, “Varmint… I’m much obliged for that pelt you’re carryin’”. 
      The setting of this well written and beautifully illustrated story begins in Tennessee and although Tennessee is the main focus of the story I love that other areas such as Montana and Kentucky are brought-up in the story.  Isaacs introduces the period in which Swamp Angel takes place at the beginning of the story by offering background information about the main character.  It is unique how Isaacs writes a story within the story.
       The illustrations of the story are framed with different types of woods.  Zelinsky’s oil paintings go hand-in-hand with the nature of the story.  On the second page of the story, Zelinsky paints each situation where Angelica, Swamp Angel, has helped settlers in her area of Tennessee.  She is pictured putting out a house fire and stopping a flood of water from hitting a house.  These scenes are not written into the story itself and offer the reader a sense of the strong, helpful woman she was becoming.
       Another illustration that gives the reader insight into how large Swamp Angel is occurs on the page where she is signing-up for an opportunity to hunt Tarnation the bear.  She is pictured in line, but her shoulders are almost as tall as the mountains in the background and the men in line are smaller than her hand and would appear to fit in her pocket!  I love how the illustrator was able to give the reader an understanding of how huge she is with only showing Swamp Angel’s shoulders and head.  Not only do the illustrations capture the size of Swamp Angel, Zelinsky also captures her expressions of determination and wit.  Her wit is displayed with the smile she has on her face when she drinks the lake dry.  Determination is seen on her face when she is fighting Tarnation.  
     Swamp Angel embraces the culture and areas around Tennessee.  Not only will Tennesseans identify with this tale, but so will the rest of the United States simply because the story explains how the Great Smoky Mountains were formed, the Shortgrass Prairie of Montana were created and how the “Big Bear Constellation” came to be.  
     Swamp Angel used her stature, strength and tenacity to the best of her ability.  She tried her hardest and never gave up even when it looked like she was going to lose the battle with Tarnation.  This teaches children to never give up and if you keep trying, you can achieve anything.  

D. Review Excerpt

The Penguin Group reviewed the book as follows.
Swamp Angel can lasso a tornado, and drink an entire lake dry. She single-handedly defeats the fearsome bear known as Thundering Tarnation, wrestling him from the top of the Great Smoky Mountains to the bottom of a deep lake. Caldecott Medal-winning artist Paul O. Zelinsky's stunning folk-art paintings are the perfect match for the irony, exaggeration, and sheer good humor of this original tall tale set on the American frontier.

E.  Awards

A Caldecott Honor Book
An ALA Notable Book
A Time magazine Best Book of the Year
A New York Times Best Illustrated Children's Book of the Year
Winner of the Boston Globe/Horn Book Award
A Publishers Weekly Best Book of the Year

F.  Connections

Lesson Plan ideas: This book would be wonderful for a fifth grade class to use in a comparison to the book of Paul Bunyan.  Students would compare and contrast the two books.  They could also research other tall tales.  Once their research is complete, students could create their own tall tale of how certain things like the playground or flag poles were created at their school.
Lesson Plan:  Read, Write Think Lesson
Illustrator's Website:  http://www.paulozelinsky.com/

G.  Additional Books by Anne Isaacs
ISBN:  037586722
ISBN:  0439644836
ISBN:  1416902015



Thursday, June 21, 2012

The 3 Little Dassies

A.  Bibliography

Brett, Jan. 2010.  The 3 Little Dassies.  New York.  G. P. Putnam's Sons / The Penguin Group.  ISBN:  9780399254994

B.  Plot Summary
 
     The 3 Little Dassies is a variation of the classic tale The 3 Little Pigs.  The variations Brett makes are seen mainly in the characters and setting.  In Brett's beautifully crafted variation, the reader will meet 3 dassie rats from Africa along with an agama lizard and a white eagle who changes to an eagle that is "black as soot" after his failed efforts of capturing the 3 little dassies. 


C.  Critical Analysis


     The main characters in this tale are dassies.  We are also introduced to an eagle and a red headed agama lizard known as Agama Man.  The 3 Little Dassies is a variation of the tale The Three Little Pigs.   In the story, the eagle represents the big bad wolf.  As always, Jan Brett does a fabulous job of creating characters that are strong and overcome problems in a unique way.  
     Readers unfamiliar with the Namibia dessert might not easily recognize the setting in this tale so Brett mentions the exact setting of the book at the beginning.  For those who have visited West Texas,  the setting could easily be mistaken for the canyons of West Texas.  The animals in the book are native to the Namibia dessert, so this also helps the reader understand the setting.  
     As always, Jan Brett’s gorgeous illustrations add to the meaning and understanding of the book. True to Brett’s style of illustrations, the reader will also notice the prediction picture on the center edge of the page.  These illustrations show a glimpse of what is to come in the following pages. One illustration that captures the fear and sense of sisterhood is in a small window and it is of Mimbi and Pimbi when they are hugging in the eagle's nest after being captured.  Timbi, the 3rd little dassie, is illustrated on the main page and the reader can see the worry in Timbi's face as she sees the "long shadow streaking across the rock."
       Each dassie is dressed in traditional Herero dress.   The dassies are not the only characters illustrated in clothing.  Every animal illustrated in the story has clothing except for a turtle on the first page. Brett does an exquisite job of giving the reader more insight into the personality of the animals and also helps readers connect with the animals by seeing them in clothing.  On the last page of the book, Brett illustrates a page that is reflective of what the reader would see if they visited Namibia today.  
      Just as in the story of The Three Little Pigs, the story of The 3 Little Dassies shows that doing the easiest thing is not always the best thing.  It takes work to produce a quality product.  While the two other dassies were finishing their houses made of grass and driftwood, the 3rd little dassies, Timbi, spent the whole day working on her house of stone.  Her house saved the 3 little dassies from the eagle because she took the time to use the best materials even though it was the hardest to build.
      This lovely tale also offers a strong sense of family connection.  Brett repeats this line throughout the book, “Be near and dear, sisters, while I rest my eyes.”  Even though they wanted their own places, they thought it was important to stay “near and dear”.  I like that Brett added this feature into her version.  In the original version, the big bad wolf says, “I will huff and I will puff and I will blow your house down.”  The big old eagle says, “I’ll flap and I’ll clap and I’ll blow your house in!”  Brett named the 3 little dassies, Mimbi, Pimbi and Timbi.  Children will enjoy letting the names of the dassies roll off their tongues.
      Although this tale has appeal for all cultures, it embodies southern Africa and the people of Namibia.  The differences between the original, Three Little Pigs, and Brett’s version do not take away from the story and actually add an opportunity for students to explore a portion of the world that may be unfamiliar to them.

D. Review Excerpt 

 Kirkus Reviews states, "Mashing up the ever-popular English story of “The Three Little Pigs” with her Namibian experiences, Brett uses her magical watercolor-and-gouache paintings to create a distinctive visual world. Dassies (rock hyraxes) live among the reddish stones of this desert-like country. Soft and cuddly, they have a predator in the black eagles that live above, and they come together in an original version of the story, complete with a grass house, a stick house and a stone house built by each of three dassie sisters. The first two are taken (fear not, it's only temporary) by a white eagle, but when he tries to “flap and clap and blow” the stone house in, he fails. When he tries the chimney route, the fire burns his feathers, turning him into the black eagle seen today. The animal characters sport adaptations of Western clothing that are seen in Namibia today, down to the turbans worn by the Herero women since Victorian times. The dress prints from the clothing also appear in the illustrator's trademark borders around each two-page spread. Beguiling."

Publisher's weekly states, "This offering is classic Brett: meticulously rendered animal characters, an authentically depicted setting, ornate borders, action-filled side panels, and lively storytelling. This version of The Three Little Pigs takes place in southern Africa, where three dassies—small native mammals also called rock hyraxes—bid adieu to their family and set out “to find their own place.” After crossing the Namib Desert in a tortoise-pulled wagon, sisters Mimbi, Pimbi, and Timbi reach a mountain where they agree to settle down. They’re welcomed by an agama lizard, who mentions that an eagle, an enemy to dassies, lives nearby. After this predator destroys two of the dassies’ houses and carries the dassies to his nest, the lizard rescues them and helps outwit the bird. Brett (The Easter Egg) dresses her dassies in the vibrantly patterned traditional dresses and turbans of the Herero people of Namibia. The eagle and lizard are nattily attired in hats and colorful menswear—but even the suspenders, straw hat, and checked pants of the eagle don’t lessen the menace of his talons. A buoyant and original reimagining. Ages 3–5."

E.  Awards

"Best of the Best Books of 2010" given by the Chicago Public Library

F.  Connections

This book would be wonderful to include with an author study of Jan Brett because it offers insight into where she has traveled on vacation and why she wrote this story.  

Another great activity to provide with this book would be to compare the variations of "Three Little Pig" stories.  Students would love to hear the books and they could even perform a reader's theater of the version they enjoyed the most.

Activities to go along with the book:

G.  Other books by Jan Brett
ISBN:  978-0698116528
ISBN:  978-0399242151
ISBN:  978-0399252389 

Tuesday, June 19, 2012

Anansi and the Talking Melon

A.  Bibliography

Kimmel, Eric A. 1994. Anansi and the Talking Melon. New York: Holiday House Inc. 
ISBN:  0823411044

B.  Plot Summary
 
     Anansi and the Talking Melon offers a simple plot for readers to follow.  A little black spider finds a crack in a melon and begins to eat the melon.  He eats so much, he can’t get out and becomes bored while waiting to get thin again.  While trapped in the melon, Anansi decides to trick various animals into thinking that the melon can talk.  Anansi infuriates the king with his trickery and is finally out of the melon when the king throws the melon.  Anansi finds a new fruit to munch on and use for his next talking trick. 


C.  Critical Analysis

     Anansi is a mischievous spider who finds pleasure in tricking an elephant and other animals such as a warthog, a hippo, and finally the king gorilla.  Anansi’s initial victim of his little prank is a huge elephant.  At the beginning of the book, the setting is established rather quickly.  The reader understands the setting is in a melon patch however as the book continues, the setting becomes vague.  It mentions they are traveling down a road, but we don’t know where this road leads.  Throughout the story, time seems to pass rather quickly and the illustrations lead us to believe the story takes place within one day. 
     In this story, the theme is hard to identify.  The main character, Anansi, is mischievous and even after playing his first trick on the elephant; he chooses to play another trick on the elephant at the end of the story.  Good does not triumph over evil and there is not a moral or obvious happy ending.  This tale is simply about an ornery little spider.
     The flow of the book is segmented by the individual animals the elephant comes into contact with along his way to see the king. Even though the storyline is easy to follow, the syntax of the story is not on level with the audience this tale is targeting.  Lines like, “By and by they ran into Warthog,” are hard for young readers to understand.  Most of the book is written in a dialog format and consists of conversations between each animal. 
     Illustrations in the story are specific to what is going on in the text.  The illustrations aid character development. The reader understands the personality or traits of the characters beyond their dialog with each other.  This is evident when the elephant reaches the hippo.  Only through the illustrations is the reader led to believe the hippo is female. 
     Even though the liner notes indicate Anansi is a West African/Caribbean folklore character, this is not evident within the text or illustrations of the story.  Although the images appear to be true representations of the environment in a West African region, it does not pinpoint this for the reader in the story. 
     The Anansi stories are known to be trickster tales, which revolve around a central character, Anansi, and his ability to fool other characters in the story.  The other characters tend to be larger, stronger characters like that of the elephant, hippo, warthog and gorilla.  Since the characters of the story are animals, it allows the story to be universal and appeal to any culture.

D. Review Excerpt  

The Kirkus Review offers the following review of the book:
     "For the third time, Kimmel (Anansi and the Moss-Covered Rock; Anansi Goes Fishing) lightly treads the path of the trickster spider. Anansi, who has bored his way into one of Elephant's melons, persuades Elephant that the melon can talk. As a result, Elephant makes a fool of himself in front of the king, and -- in a bang-up ending -- discovers that ""talking melons are nothing but trouble."" These last words come from a banana (where Anansi is once again eating). Stevens's funny animals are delightfully expressive, while Anansi's spider-level perspectives provide generous close-ups of melons, a hippo, a warthog, et al. Good-spirited tomfoolery, with storytelling that reels along with the ease of a seasoned prankster."

E. Awards

International Reading Association Children's Choice

F.  Connections

This book would be wonderful to use with comparing common main characters across books.  It would also be beneficial to add this book into an author study.

Author's website:  http://ericakimmel.com/    
Illustrator's website:  http://www.janetstevens.com/
Lesson Plans:  www.liveoakmedia.com  offers lesson plans on this book
                        www.teachingbooks.net also offers connections and lesson to this book.
                        http://www.uen.org/Lessonplan/preview.cgi?LPid=13874

G.  Other Books By Kimmel
ISBN:  0823417638

ISBN:  0823407985

ISBN:  1430108436



Tuesday, June 12, 2012

Make Way for Ducklings


A. Bibliography

McCloskey, Robert. 1941. Make Way for Ducklings. New York: The Viking Press a Division
     of Penguin Putnam Books for Young Readers. ISBN: 0670451495

B. Plot Summary

      Mr. and Mrs. Mallard find themselves faced with the issue of finding a proper place to lay their eggs and then raise their ducklings. The ducks embark on an adventures that guides the reader through the city of Boston and leaves the reader with a strong sense of family and how parents provide and protect their family.

C. Critical Analysis  


     The main characters of this traditional piece are Mr. and Mrs. Mallard, ducks.  The mother duck symbolizes a mother that is adamant about protecting her children and creating a home that will be suitable for raising them.  The father duck is supportive of the mother duck’s wishes.  We see the ducks make a compromise toward the beginning of the book.   This compromise is much like compromises humans in relationships make with their partners. 
    It was difficult for Mr. and Mrs. Mallard to agree on a proper place and they became weary in their journey when they decided to take refuge for the night in the Public Garden in Boston.  The next morning they decided to try and find food in the pond.  The Mallards were ready to continue their search when the people on the boats began to feed them peanuts.  They began to think this place was the perfect place to raise their ducklings when out of nowhere Mrs. Mallard was nearly hit by a little boy on a bike. Mr. and Mrs. Mallard were now not so sure about staying in the Public Garden.  At this moment, readers young and old can identify with how one event can change how we view a situation. 
     The ducks began to fly and they found a nice quiet place to lay their eggs.  Although the ducks found a suitable place to lay their eggs, Mrs. Mallard and the soon to be ducklings would be faced with another problem of getting back to the Public Garden to meet up with Mr. Mallard.  This is where the title of the story and the rise in action marry and the reader is brought to light the true journey the little duck family went on to be a family. 
     McCloskey does a fabulous job of painting the setting with words and illustrations.  When he describes the four policemen holding back traffic for the Mrs. Mallard and the ducklings, the reader wouldn’t fully understand the amount of traffic they stopped for the ducks if it weren’t for the illustrations showing the streets of traffic at a halt.  McCloskey also gives the reader an exact geographical location, Boston, which allows for the reader to either build new knowledge or activate prior knowledge the reader might have about Boston and the Public Garden.  All of the illustrations are done in black and white and extend over both pages of the open book.  McCloskey does a beautiful job of drawing each detail of the story so that the illustrations go beyond the written text.  The way the ducks fall to their tails and jump out of the way of the speeding bike in the Public Garden is a great example of the detail he put into the illustrations.
     At the end of this sweet story of a family and overcoming obstacles they might encounter, the Mallard family decides to make the Boston Public Garden their home.  Here the family is happy and decides it is the best place for their family because the ducklings love it.
     The story itself is somewhat hard to believe because in today's world it is unlikely to see a bustling city come to a halt because of a mommy duck and her ducklings.  It is however, a believable comparison of the journey humans take when trying to find the perfect neighborhood or city to live when they begin to think about starting a family.  The story is also an excellent opportunity to show that no matter the culture or setting, every living thing looks to protect and provide for their young.  

D.  Review Excerpt 
   
     A review by,
https://www.commonsensemedia.org/book-reviews/make-way-ducklings states, "Family is the central theme in this Robert McCloskey classic. The mallard ducks illustrate love and care in the family. McCloskey describes the adult ducks carefully selecting a nesting site and, later, teaching the ducklings basic survival skills. Tension and adventure are created in the story during their dangerous trip across busy streets to get to the Public Garden and safety.   
    Today's children respond with enthusiasm and affection for the ducks and ducklings, barely noticing the dated cars or police officer's uniform. Sepia-toned charcoal art on cream-colored paper conveys the story's gentle love and warmth. Today's children, however, may find the one-tone illustrations dull. Children will appreciate being able to count all eight ducklings in each illustration of the family and will check to see that all are present."

E. Awards

Caldecott Award winner 1942

F. Connections

Lesson Plans:  
 K-2:  It would be excellent to incorporate other pieces of literature that focus on animal habitats and their family structure. Students would then discuss similarities and differences in the literature as well as the similarities and differences between the habitats and family structure of the animals.   
3-5:  It would be beneficial for students to research the history of the book and research the traditions that have come to be because of the book.  The students will find the city of Boston has embraced this piece of literature and has even made developed celebrations and commemorated it with bronze statues in the Public Garden.

Links:  
G.  Other Books By Robert McCloskey
ISBN:  978-0140509786

ISBN:  978-9994568413

ISBN:  978-0142404157
 


Wednesday, June 6, 2012

I Broke My Trunk!


A.  Bibliography

Willems, Mo. 2011. I Broke My Trunk.  New York: Hyperion Books for Children, an imprint of Disney Book Group. ISBN  978-1-4231-3309-4

B. Plot Summary

     In this Elephant and Piggie book, Willems tells of a funny situation between best friends that are eager to share a crazy, funny story.  Piggie is eager to hear the story of how Gerald broke his trunk and at the end finds herself in the exact same predicament as Gerald.  This is a cute story that keeps readers engaged all the way to the end.

C.  Critical Analysis

     The main characters of I Broke My Trunk! are Gerald, an elephant, and Piggie, a pig.  From the beginning of the book, the reader knows Piggie and Gerald are close simply because Piggie implies that she sees Gerald everyday.  The other minor characters in the story, Rhino, Hippo, Hippo’s Big sister and the little squirrel at the end all help in the developing story of how Gerald broke his trunk.
      Towards the middle of the book, Piggie begins to get frustrated with Gerald because after a long crazy story she still doesn’t understand how Gerald broke his trunk.  The reader knows Piggie is frustrated because Willems has Piggie speaking in all capital letters and illustrates Piggie waving her arms up and down with her head thrown back.  Gerald seems scared of Piggie’s reaction and on the next few pages, Piggie finds out Gerald broke his trunk because he tripped and fell.  Piggie thinks this is so “crazy” and so “funny” that she finds herself running off to tell this “crazy, funny” story to someone else.  What Piggie doesn’t remember is that it is important to be careful when you are excited and running because you could trip and break something.  Piggie ends up running to tell a friend Gerald’s story and she trips and breaks her snout.   
       Willems doesn’t draw elaborate backgrounds and so the reader has the opportunity to let their imagination come up with the setting of this story.  Most might think the setting is somewhere outdoors because of Gerald falling and breaking his trunk.  When I asked a child where he thought Gerald and Piggie were talking he immediately stated, outside of course.  I asked him why and he replied, “pigs and elephants aren't allowed inside!” Willems' simple illustrations allow even the youngest of readers to be confident in the settings their minds allow them to create. 
      The lesson portrayed in this story is a simple one, but a lesson none the less in learning from the mistakes of others.  If Piggie would have learned from Gerald’s mistake of rushing to tell his friend and not being careful of his surroundings, Piggie would not have broken her snout.  
      The writing and illustrations of this this book allow the reader to use their imagination to fill-in emotions of the characters.  The speech bubbles also allow the reader to understand if Gerald is explaining his experience or talking to Piggie about how he broke his trunk.  Gerald’s explanations of his balancing act and how he broke his trunk are all in puffy cloud like bubbles, but when he is talking to Piggie, his words are in a standard speech bubble.  Willems does a wonderful job of adding the word very each time Gerald adds a friend to his trunk.  Gerald explains that a rhino on his trunk is heavy and by the time he has a rhino, two hippos and a piano, Gerald explains that it is "very, very heavy".  
      The simple illustrations in I Broke My Trunk! also help young readers focus on the words of the book and readers have the opportunity to easily flow through the story and build fluency within the text of the story.  The book has no cultural biases and it would appeal to students of all ethnic backgrounds.  This book is a fun and easy read for early readers and it is one that children will return to over and over again.

D.  Review Excerpt:
     On http://childrensbooks.about.com/od/productreviews/fr/I-Broke-My-Trunk.htm, Nancy Snyder states, "I Broke My Trunk! is the 14th book in the Elephant and Piggie series by Mo Willems about two unlikely best friends. Gerald, an elephant, tells the “long crazy” story about how he broke his trunk to Piggie very, very slowly, which drives Piggie crazy. Beginning readers eight years and younger will enjoy this humorous adventure with the unlikely but lovable friends."

E.  Awards
Theodor Seuss Geisel Honor Book 2012 

F. Connections
-In this story, Piggie talks in all capital letters when she is really mad at Gerald and this would be an excellent opportunity for a mini lesson on internet etiquette and how what we write and how we write it is portrayed.  

-I Broke My Trunk! would also be an excellent opportunity for older grades to write about Piggie's crazy, long story of how she broke her trunk.  This story could be shared with younger grade levels as well.

-Author's website:  http://www.mowillems.com/

-Interviews with Mo Willems http://www.pigeonpresents.com/grownup.aspx

-Lesson Plan from Disney Hyperion http://cdn.dolimg.com/explore/PMPages/DCOM/books/catalog/Printable/Elephant_&_Piggie_TG.pdf

Other Books by Mo Willems:
ISBN  978-1423113478

ISBN  978-1423114109

ISBN  978-1423119913